Women and Minorities in Writing: The Marvel Debate
This week, I find myself in the unique position of watching current events that further two previous topics of mine. Marvel recently announced changes to two of its major characters- giving the title of Captain America to African-American hero the Falcon and that the title of Thor will be carried by a woman. These announcements have been met with much speculation, including accusations of race and gender baiting. While I cannot give a definitive answer to that debate, I would like to examine them as they relate to my earlier discussions on race and gender in writing.
To begin, we should first establish exactly how these changes are coming about. For Cap, Steve Rogers has had the super-solider serum drained out of him, and is no longer able to function as Captain America. As such, he has assumed a strategic role and given the mantle to Sam Wilson, aka the Falcon, a former sidekick and long time friend of the Captain. Of the two changes, this one is less of an obvious ‘baiting’. Unlike DC’s move to create diversity by placing Teen Titan Cyborg in the Justice League (despite his having no previous association or status with the group), Sam Wilson has been a part of the C.A. mythos for years, and has operated as a protégé to Rogers for almost as long. Beyond former sidekick Bucky Barnes, there are few else who could hold the shield of the Captain. As for his skin color, I again state that Wilson is a hero in his own right with a well established history that gives him credibility. Also, the C.A. mythos have already established Isaiah Bradley as the ‘black Captain America’, the lone survivor of early American tests to recreate the super-solider serum on black soldiers (who died as a result and were kept secret). Therefore, placing Sam as the new Cap becomes more meaningful then learning that the previous ‘black Cap’ carried shame as well as pride with him.
Thor’s change is more difficult to determine. As of this writing, the story calls for Thor to become unworthy of his hammer, which will be taken up by a female character. As this change has just been announced, no successor or method has been named. This makes it more difficult to judge; Cap’s succession contained true to form reasoning and a protégé taking up the costume. Without knowing how or why these changes occur, or who will take up the hammer, I cannot judge it accurately. However, based on what is known thus far, this change has more of a ‘baiting’ feel to it. While Cap’s mantle can be passed down, Thor is a mythological figure and is the ‘god’ of thunder. Unless his personality is also placed with the new Thor (unlikely), this new Thor could very easily seem a pretender and inexperienced. Also, while there has always been call for diversity in comics, I doubt that women find draping a woman in the guise and identity of a male hero is much of an improvement. Still, too little is known to make a proper evaluation; but since Marvel did a good job pulling off Loki’s temporary gender change, there is still a possibility this could work.
So what do we take from this? Is this a chance to update and adapt heroes or simply a ploy to increase readership? In honesty, I do feel this falls under a ploy. Despite the logic behind the Falcon’s ascension, and the too-early nature of Thor, I simply don’t believe Marvel would permanently alter two of its largest properties. One simply needs to look at Superior Spider-Man (in which Dr. Octopus temporarily took over the mind and body of Spider-Man) and how its run returned Peter Parker to the front just in time for “Amazing Spider-Man 2”. By the time the next Marvel film with Cap and/or Thor rolls out, I think things will have reverted. So what do we take from it as writers? First, how well Cap’s story not only follows logic and history, but how it also keeps skin color at the back- this is someone that proven himself, and just happens to be a minority. Second, how simply dressing an opposite gender character in an established identity may not be diversity as much as marketing. And third, that writers still need to watch how and why they create minority and female characters, because all this controversy clearly says there are still issues attached to it.