Composing the Trilogy: Part 1
In recent months, I’ve been hard at work editing, re-arranging, and submitting materials for the next entry of Lightrider. But as I’ve been working on it, I realized how much work goes into writing what will eventually be a trilogy, and how daunting it can seem to first time writers who have an idea they just can’t do in one book. Therefore, today is the start of a multi-week entry entitled Composing the Trilogy, where I will discuss each part of a trilogy and how it works. And as such, let’s begin in the best place…
The first part of a trilogy is the most important. This is where the author sets up themes, characters, and a series of events that will go for two more entries. As such, there needs to be an amount of prep work done beforehand. The overall theme and story are vital. There is a reason famous trilogies deal with such large ideas as revolution or the effects of time- they have to fill a great deal of space whether in film or literature. Probably the best example is the Godfather trilogy, which deals with a single mafia family over several decades. In it, we are shown a rise to power, the cost of said power, corruption, betrayal, death, and loss of family. These are ideas that need proper care and time to be told well, and a trilogy is the perfect place to do it. Not only do the themes lend themselves to lenthgy storytelling, but they are enough to help fill not only the first entry in the tale, but future entries as well. One final tip should also be to try imagine as much of the story as possible- a clear final ending can lead to a much clearer vision.
Characters need to be sketched out, but in a way that they can grow and change as the story goes on. It can be good to have a character with a simple ‘design’ such as brave, or upbeat, and then put that character into different situations to see how well they react. Star Wars is a good example- Luke Skywalker begins as an impatient, green farmhand, but as the story progresses, we see acts of bravery and a willingness to learn, as well as the first hints of him accepting the greater power of the Force, which is a large part of his growth throughout the trilogy.
But the endings are also important. What happens in the first part must leave enough impact to continue throughout two more entries, so a certain amount of thread must be left hanging. There are many different ways to do this, but the most common are endings that solve a current problem but show another on the horizon, or the open-ended ending- the story would be acceptable as a stand-alone, but there is still enough material to continue forward if the need arises. Again, the original Star Wars follows the open-ended path, but films like Lord of the Rings generally leave endings where the viewer knows more is coming.
Having followed these plans, you should be able to compose at least the first part of your trilogy. However, this leaves two more pieces to compose, the first of which we’ll discuss next time.