Points of Light Halloween Edition: The Thing
Greetings once again, frightful readers. We’ve been going over horror stories all this month, and seeing as how today is All Hallows Eve, it seems fitting to head back to the crypt to unearth one more story. Of course, as I said last week, this is a story that’s a little hard to find. It could be anything- your dog, a bug, even YOU, reader. And no one would ever know until it was too late; for that is the power of today’s entry, one of my all-time favorite horror films- John Carpenter’s The Thing.
A remake of the 1950’s horror film, The Thing From Another World (itself an adaption of John W. Campbell’s Who Goes There), The Thing takes place at an Artic research base, which is suddenly invaded by a stray dog and a pair of Norwegian scientists trying to kill it. The Americans kill the scientists and take in the dog, then travel to the Norwegian base. There, they find a ruined building, and a horrific, two-headed human corpse, along with a long hollowed out block of ice. They realize the Norwegian scientists unearthed something in the ice, which is made readily apparent when the new dog mutates into a horrific creature. They subdue it, but realize the alien creature can perfectly adapt into another being, and even a cell can make a perfect replica. The men slowly devolve into paranoia, as they realize that the creature may be posing as one of them, and must be prevented from infecting the rest of the world.
What Writers Can Learn: Setup, Suspense, Paranoia, Unhappy Resolution
While much of what makes The Thing a success is it’s special effects, which are gruesome and yet amazing to behold given the limitations of the time, that same success is equally due to the film’s excellent setup. Placing the film in the Artic gives us a sparse, empty environment with no connection to the world at large. As such, when the Thing begins its attack, we know that no help is coming, and even if it did, it probably wouldn’t reach our heroes in time. Therefore, it is up to our small band of men to contain and eradicate the Thing before it can return to sleep, or infect the civilized world. However, there is one thing that is preventing them from doing so- each other.
Remember, the Thing is capable of perfectly imitating any living being, including humans. Therefore, the men are highly suspicious and paranoid of each other, heightened by lack of sleep. This means that even the slightest hint of an impersonation is met with open hostility- MacReady, the main character, is left outside in the cold when a torn jacket with his name is found. When they attempt to perform a blood test to check for the Thing, the blood samples are destroyed, leading to suspicion of all those with access to the med lab. One man is even shot and killed because of the rampant paranoia without showing any signs of infection (he is later proved to be fully human). And since the audience has no idea which, if any, of the men are infected, we feel that same fear and paranoia, which heightens our fear, and our reactions when the Thing does reveal itself.
Still, the movie wisely avoids any chance for a sequel (and as proved by the 2011 prequel, no additional story is required) with its ending. Here, we have a rather nihilistic conclusion that still manages to keep our questions and paranoia going. With the destruction of the Thing, the base, and the majority of the crew, we are left with MacReady and fellow survivor Childs sitting in the ruins of the base. They cannot prove that either of them is not infected, but it is a moot point, since without shelter, the freezing temperatures will kill them before any rescue team arrives. Therefore they sit facing each other, taking their last drinks, as the film ends. It is a dark and chilling ending, and leaves many questions unanswered. But regardless of whether or not the Thing still exists, it is frightening to believe that these two men will be rewarded for saving the world by freezing to death. Of course, the viewer will also wonder if they are even still men, and whether a rescue team would unleash a greater horror by saving them.
The Thing has received many adaptions over the years, but minus the afore-mentioned prequel, it still stands as a sci-fi tale with Hitchcock level suspense. Even without the effects, the idea of men cut off from civilization and facing an evil that they cannot see is more than enough to drive the story. Writers can easily take the suspense and paranoia and its effects for various other stories, such as thrillers, adventure, and obviously straight horror. But perhaps the ending offers the greatest lesson. In too many stories, major problems are resolved with a forced happy ending. This serves as a reminder that, just like in life, characters can do everything right, save the day, and still die as a result. But the fact that MacReady and the others accept that, helps makes this ending even more memorable, and even more chilling.
Well, that’s the last coffin for this year. I hope you’ve enjoyed our trip around the graveyard, and don’t be afraid to pick up any of the stories I’ve mentioned (either the original or this version of The Thing are excellent films, though the suspense and effects drive each differently). And remember, tomorrow is the start of the Lightrider Giveaway contest, so be sure to use the Lightrider Facebook page to enter. Happy Halloween!
Posted on October 31, 2013, in Inspiration, Promotion, Uncategorized, Writing, Writing Tips and tagged Halloween, Horror, John Carpenter, Paranoia, Suspense, The Thing, writing. Bookmark the permalink. Leave a comment.